Description
Powered by Broadtime Tuneportals Details:Stanzeleit/fenyo More Info:Beneath the shimmering surface of Delius’s little-known violin sonatas are the latent exuberance and nostalgic rapture which have made his orchestral music so popular. Across the decades separating the B major Violin Sonata of 1892 from the Third Violin Sonata of 1930, Delius developed a unique musical language which leavened the post-Romantic heritage of Wagner with French Impressionism and European and Afro-American folk idioms; an intoxicating mix that moved Sir Thomas Beecham to call him `the last great apostle in our time of beauty and romance in music’.
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